( A couple paragraphs about the heat and swimming, which I dearly love! )
In work news, Saiunkoku v1, Skip 22, and Naruto 50 are all completely finished. At the moment, I "only" have Clay 17 and Natsume 5. I have 7 pink Clay pages left in this vol, and I'm trying to finish them before I have script for New Title 5. Speaking of which, at Expo, Viz announced their new licenses, which includes the true identities of New Titles 5 and 6. *drumroll*
New Title 5 is Mistress Fortune, by Tanemura Arina-sensei.
New Title 6 is Sakura Hime Kaden, also by Tanemura Arina-sensei.
And now those of you who are familiar with Tanemura-sensei's work will understand why I've been collecting screen tones and trying to clear my other titles like mad. Heh heh heh. ^^;;; If you don't know her stuff, next time you're in the bookstore check out Gentlemen's Alliance + or Fullmoon o Sagashite and you'll understand. This mangaka appears to believe white space is wasted potential. It will be interesting to see how lettering these two Tanemura titles compares with lettering Hino-sensei's Captive Hearts, which was also a lesson in cramming as much as possible onto every bit of page.
I have yet another pink Clay page mocking me from Tsukushi's monitor, so I'd best get to work. It's going to be difficult going today, but I must persevere!
In work news, Saiunkoku v1, Skip 22, and Naruto 50 are all completely finished. At the moment, I "only" have Clay 17 and Natsume 5. I have 7 pink Clay pages left in this vol, and I'm trying to finish them before I have script for New Title 5. Speaking of which, at Expo, Viz announced their new licenses, which includes the true identities of New Titles 5 and 6. *drumroll*
New Title 5 is Mistress Fortune, by Tanemura Arina-sensei.
New Title 6 is Sakura Hime Kaden, also by Tanemura Arina-sensei.
And now those of you who are familiar with Tanemura-sensei's work will understand why I've been collecting screen tones and trying to clear my other titles like mad. Heh heh heh. ^^;;; If you don't know her stuff, next time you're in the bookstore check out Gentlemen's Alliance + or Fullmoon o Sagashite and you'll understand. This mangaka appears to believe white space is wasted potential. It will be interesting to see how lettering these two Tanemura titles compares with lettering Hino-sensei's Captive Hearts, which was also a lesson in cramming as much as possible onto every bit of page.
I have yet another pink Clay page mocking me from Tsukushi's monitor, so I'd best get to work. It's going to be difficult going today, but I must persevere!
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